BISMARK ENTERTAINMENT

Tuesday, 25 February 2014

GHANA DJS AWARDS 2014: YAW SAKYI SAVED THE SHOW +FULL LIST OF WINNERS!

Yaw Sakyi, host of TV Africa’s “Rundown”, was the only live wire during the just ended second edition of Ghana DJ Awards at the National Theatre, Saturday February 22.

Yaw, who went to the show to enjoy himself as an industry observer and to also present an award, ended up on stage as the only MC for entire awards event, because the advertised MC for the night, for some reason, decided not to show up.

According to an official press release from the organizers, prior to the event, Nigerian Comedian Klint De Drunk, was to be the MC but for unknown reasons, he was conspicuously missing from the venue from the beginning of the show to the end, and organizers didn’t even have the decency to apologize to the audience and explain why the MC couldn’t make it.

This perhaps was one of the numerous reasons why the show started late. As usual the show started after 11pm with most of the people having been sitting for hours waiting. Care-taker MC Yaw Sakyi, who couldn’t believe he was on stage as an MC, walked on stage with his signature laughter, introduced himself as the MC apologized for the late start, and took over the stage to kick the show running.

Without any idea as to what the running order and the program line-up was, Yaw improvised and hosted the show like he had been paid for it. Inviting stars like Praye Tiatia, Adolf Tagoe and some people from the audience randomly on stage to entertain the audience, he interacted with selected people quite professionally.

Yaw Sakyi saved the disgraceful situation so well that after a few minutes everybody even forgot he was not the original MC for the night.

As if absence of the MC was not enough, the audience had more unforgivable hitches during the award presentation. Award presenters were embarrassed on stage because after they introduced themselves and said the popular phase “and the nominees are” there was no screen and there were no nominees. This happened ones, twice and after the third time the presenters themselves had to mention all the nominees before they eventually name the winner.

Performances on the night were virtually like a dancehall show at DJs awards night. Most of the artistes who performed are dancehall artistes. The likes of Mz Vee, Stonebwoy, AK Songstress, Episode, Pope Skinny, Diamond amongst others.

Discovery of the year Dj Bryte, DJ Slim from Kumasi, and DJ Foe also did their own things on the turntable to entertain the crowd. One of the highest points on stage was when guest DJs like Nigeria’s finest DJ Jimmy Jatt, DJ Rab from New York, and South African queen of turntable DJ Divalash, were introduced on stage.

The stage design was not fit for an awards event. The only visible thing on stage was an oval-shaped Redbull branded DJ stand on a bare background.

There was no backdrop or any set design or screens to display the name of the event on the stage (Sakora stage). The sound and light were manageable but could obviously have been better. Attendance was about 50% of the National Theater capacity.

Yaw Sakyi, host of TV Africa’s “Rundown”, was the only live wire during the just ended second edition of Ghana DJ Awards at the National Theatre, Saturday February 22.

Yaw, who went to the show to enjoy himself as an industry observer and to also present an award, ended up on stage as the only MC for entire awards event, because the advertised MC for the night, for some reason, decided not to show up.

According to an official press release from the organizers, prior to the event, Nigerian Comedian Klint De Drunk, was to be the MC but for unknown reasons, he was conspicuously missing from the venue from the beginning of the show to the end, and organizers didn’t even have the decency to apologize to the audience and explain why the MC couldn’t make it.

This perhaps was one of the numerous reasons why the show started late. As usual the show started after 11pm with most of the people having been sitting for hours waiting. Care-taker MC Yaw Sakyi, who couldn’t believe he was on stage as an MC, walked on stage with his signature laughter, introduced himself as the MC apologized for the late start, and took over the stage to kick the show running.

Without any idea as to what the running order and the program line-up was, Yaw improvised and hosted the show like he had been paid for it. Inviting stars like Praye Tiatia, Adolf Tagoe and some people from the audience randomly on stage to entertain the audience, he interacted with selected people quite professionally.

Yaw Sakyi saved the disgraceful situation so well that after a few minutes everybody even forgot he was not the original MC for the night.

As if absence of the MC was not enough, the audience had more unforgivable hitches during the award presentation. Award presenters were embarrassed on stage because after they introduced themselves and said the popular phase “and the nominees are” there was no screen and there were no nominees. This happened ones, twice and after the third time the presenters themselves had to mention all the nominees before they eventually name the winner.

Performances on the night were virtually like a dancehall show at DJs awards night. Most of the artistes who performed are dancehall artistes. The likes of Mz Vee, Stonebwoy, AK Songstress, Episode, Pope Skinny, Diamond amongst others.

Discovery of the year Dj Bryte, DJ Slim from Kumasi, and DJ Foe also did their own things on the turntable to entertain the crowd. One of the highest points on stage was when guest DJs like Nigeria’s finest DJ Jimmy Jatt, DJ Rab from New York, and South African queen of turntable DJ Divalash, were introduced on stage.

The stage design was not fit for an awards event. The only visible thing on stage was an oval-shaped Redbull branded DJ stand on a bare background.

There was no backdrop or any set design or screens to display the name of the event on the stage (Sakora stage). The sound and light were manageable but could obviously have been better. Attendance was about 50% of the National Theater capacity.

 

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