Sarkodie has asserted himself again. Much like
Rapperholic, Sarkology was crafted by a number of name producers
(Magnum, Hammer, Killbeatz and more), and this album also serves a
showcase for Sarkodie’s signature rapid-fire rhymes and memorable lines.
Sarkodie shows that he is very aware of his prominence in GH Rap and GH
music history as a whole throughout the album in songs like Preach and
Y’all already Know. His delivery has gotten better with each album and
with his multiple pop culture references it is evident that he is still a
student of the game.
He does very well on this album to further blur the lines between GH
Rap/Hip-life and Hip-hop not necessarily being boxed in or defined by
either genre and managing to dip in and out of each one whenever he
wants to. Sarkodie also continues to show that his speed and ability to
“twist” isn’t just a gimmick but just one of his many abilities as an
MC.
Great music bring together dope beats and good lyrics and often times
many MCs struggle with this. Sometimes, they either go too hard in one
area and compromise in another but Sarkology succeeds in bringing both
together.
Sarkology should’ve been called Rapperholic II in my opinion. It
follows pretty much the same formula as Rapperholic. With no overall
theme for the whole project, the same topics of overcoming haters,
winning a Grammy, faith (Halleluyah, War) and being the best MC are all
addressed throughout Sarkology, as much as they were on Rapperholic.
We actually learn even more about his ego throughout the record, and it
takes only 39 seconds for Sarkodie to mention material possessions in
this album ahead of hip hop artistes such as Kanye West and even Jay-z
of Yeezus and MCHG respectively.
Sarkodie’s use of foul language has also increased substantially on
this album and although I do respect that he’s a grown man and can
do/say whatever he wants, I genuinely winced a bit at every F-word
uttered. But this is hip-hop right?
Similar to Rapperholic, this album is feature-heavy but he wasn’t
out-shone by any of his featured artistes and quite frankly on a few
records, I would much rather have heard him alone.
One disappointment on Sarkology was XXL. After creating two incredible
tracks such as Old School Love and Give It to Me on Rapperholic, I had
really high expectations from the pair on this album. Also coming after
tough record like Original, on the album, XXL ended up sounding like a
less impactful sequel to that song. I could have also done without Marry
Me (although Sian is an incredible singer) and Gunshot.
Gunshot sounded way too easy. Two big musicians, top producer, a
good-enough beat, and a very simple catchy chorus, this collaboration
sounded much well in theory. Pon D Ting (ft Banky W) was one of the
better collaborations on Sarkology with both artistes equally sounding
like they were excited to be on the track.
I grew to appreciate Ordinary Love with Tiwa Savage once I decided to
look past how bad the line “rolling like a rolling stone” was. Where
Down on One with Fuse ODG goes without saying, 2 Paddies (ft Joey B) was
another great collaboration. Joey B brought his signature sense of
humour and style and the duo provided a very entertaining and skillful
record.
I appreciated Sarkodie’s ability to own every beat he is on, and
depending on how hard the beat is his flow and lyricism varies to match.
This can be heard on stand out records such as Dear Rap Original, Rap
Attack and Elijah. Additionally, on Sizeless (skit), Sarkodie is at his
absolute best when he enters into full, rappity-rap mode and showing off
his skill and technical ability as an MC.
However, while I hugely appreciate the rap bravado it is great to hear
Sarkodie embrace his duty as a role model and give us songs like
Halleluyah (ft Vivian Chidid) and Small Small (ft. Lil Shaker). Can I
just say that both Magnum and Lil Shaker did some incredible work on the
tracks they produced on Sarkology.
Sarkology has music for different moods, and tracks for the barbershop,
club,(as Sarkodie mentions himself ) the car and even the gym. The
diversity of Sarkodie’s flow and his ability to rap over just about
anything carries the listener through the album very easily. He even
provides love songs from every angle; playing the role of guy begging
for his girl to stay (Hold On), guy who gets cheated on (Lies), guy in a
long distance relationship (Whatever You Do) and even guy proposing to
his girl (Marry Me).
In the future it would be good to see Sarkodie blur the lines between
his real life and the music even more. If the title is anything to go
by, Sarkology literally should’ve been the Study of Sarkodie but we find
out less about him as a person or where he is now in his personal life
compared to how much we learn about his come-up and struggle on previous
projects.
With another album under his belt, Sarkodie is one of the only
Ghanaians MCs that people can actually go and see in concert without any
supporting acts besides an opening act. Honestly, it is difficult for
anyone to hate on him, he is now three albums in and he clearly has many
more albums and so much more great music in him.
One thing no one can deny is Sarkodie’s work ethic, this guy just gave
us thirty songs….THIRTY! And has already shot seven music videos.
Sarkodie continues to show us that he is at the top of the game and is
the undisputed leader of the new school in this Golden Era of GH Music.