BISMARK ENTERTAINMENT

Wednesday, 3 September 2014

FIPAG ADMITS PIRACY IS A PROBLEM

President of the Film Producers Association of Ghana (FIPAG), Steve Asare Hackman has admitted that the production and sale of pirated movies are affecting the movie industry.

Though FIPAG has a taskforce responsible for fighting the act that is reported to be on the rise, Mr Hackman told NEWS-ONE that piracy is broader than what people think.

“We have an anti-piracy taskforce who occasional go round to arrest those who deal in the pirated Ghanaian movies. The issue with piracy is that it cannot be eradicated, but you can only minimise it.

Whiles our producers are selling their CDs for let’s say GH¢5 or GH¢7, these pirates will be selling the same movie on DVD at a cheaper price, and with the current economic situation, people will prefer to buy the pirated one to the original ones,” he stated.

When the paper interacted with some Ghanaian movie producers, they noted that sales of movies had gone down because most people are only interested in pirating the movies rather than buying the original ones.

But the FIPAG boss explained that the association’s anti-piracy taskforce was working tirelessly to curb the issue.

According to him the taskforce, who works in collaboration with the police and FIPAG executives, is divided into two; one for the southern sector—who take care of Greater Accra, Western, Eastern and Volta Regions; and another for the northern sector—responsible for Ashanti, Brong Ahafo and the Northern Regions.

“In recent times, when these producers talk about piracy, it is not only about people remaking the CDs or DVDs for sale, but some people are now uploading the pirated movies onto the internet whiles others are distributing them on pen drives.

Piracy is broader than what people look at. As it stands now, the sales of our movies on CDs and DVDs are going down, so we at FIPAG are looking at another market like the internet. We are trying to create our internet market so we can also sell our movies there as well,” he added.

Over the years, piracy has been considered internationally as a crime that is punishable by law.

THE GOD GURU, SARKODIE, OTHERS ARE WORSHIPPING IS FALSE - GOSPEL ARTISTE

The recent trend which most Ghanaian songs by popular acts is to just take the name of God and or call God in a different language such as Nyame, Baba, Mawu etc and drop a danceable beat to it and it becomes a gospel song which is contrary to Christian norms says Ghanaian urban gospel artist Calvin Bill.

According to the gospel rapper/singer Calvin Bill, songs like Sarkodie's 'Adonai', Bisa Kdei s 'Baba', Guru's unorthodox 'Amen', 'Mpaebo', 'Bonsam Ani', cannot be labelled gospel songs because it doesn’t praise the Christian God in any way.

“In every religion there is a belief of a supreme God or Baba and even the demons believe in a God." These are some of the words urban gospel artist Calvin Bill said when he was interviewed by the JC Cafe, a Ghanaian gospel group whose aim is to take the real Gospel to the streets.

So what then is a gospel song?

The meaning of gospel is good news about the life of Christ and his reason of dying for mankind so a gospel song is a ministration about Jesus Christ and not just simply calling Gods name in songs.

So these secular artists end up misleading and deceiving the youth in believing they are Godly people when they’re just wolves in sheep skin.

"NO STOPPING FOR ME", GURU

Rapper, Guru has revealed there is no stopping him because he has arrived due to his consistency of releasing hit songs since he emerged on the music five years ago.

After he featured on Obrafour’s Kasiebo five years ago, Guru has released a number of singles that have enjoyed massive airplay. They include 'Bonsam Ani', 'Lapaz Toyota', 'Akonta Fried Rice' and 'Alkayida'.

This, according to Guru when he spoke with Showbiz last Saturday is proof to Ghanaians that indeed he has come to stay.

“I say I have arrived because I am always on top of my game, and I know what my fans want. I do my homework well hence the reason my songs are always hits. No one can stop me from what I love so far as I am alive.

“Ever since I came onto the music scene five years ago, I have been consistent in the game and all I want to tell my fans is that they should expect more from me," he said.

And to buttress his point, Guru has again added to his repertoire. He released a new single Mpaebo off his up- coming album two weeks ago.

On the track that Guru dedicates to a friend, he spells out the challenges his pal is going through and tells him never to give up hope. He goes on to talk about the financial challenges of his friend and why he is not able to marry despite the good women who come his way.

According to Guru, “although I made the song for my friend, it also goes to anyone who is going through similar challenges not to give up hope. When you are focused and know what you are about, the good Lord showers His blessings on you” he said.

Although Mpaebo will appeal to his fans, the beat of the song produced by Beat Monsta is no different from Guru’s previous singles 'Alkayida' and 'Nkwadaa'.

There is no doubt the song could have sounded better if he had used a different beat.

SHATTA WALE WINS AFRICAN ARTISTE OF THE YEAR

Ghanaian dancehall artiste, Charles Nii Armah Mensah Jnr., popularly known as Shatta Wale was adjudged African Artiste of the Year at this year’s Nigeria Entertainment Awards.

He beat competition from Ghanaian musicians, Sarkodie and R2Bees; South Africans, Uhuru, Mafikizolo, and Mi Casa; and Congolese singer Fally Ipupa to win the award.

The 9th edition of the Nigeria Entertainment Awards (NEA) came off at the Skirball Performing Arts Center in New York Sunday night.

Nana Asiama Hanson (Bulldog), manager of Shatta Wale, told Myjoyonline.com that prior to the awards, they were very confident of winning “considering the amount of time and work we put in this year.”

Shatta Wale, who won Artiste of the Year at this year’s Ghana Music Awards, has also been nominated for the 2014 International Reggae and World Music Awards (IRAWMA).

To make it a double on the international stage, he has to be beat off stiff competition from Daniel Bambatta Marley (Jamaica), MC Norman (Uganda), Alkaline (Jamaica), DABO (Tanzania), and Kranium (Jamaica).

The 2014 International Reggae and World Music Awards (IRAWMA) will come on at the Coral Springs Centre for the Arts, South Florida on Saturday, October 4, 2014.

NEEDLESS CONFUSION AMONG MUSICIANS

Most old musicians in Ghana are referred to as BBC (Born Before Computer) and by implication, the oldies do not appreciate things concerning IT and how they can capitalise on them to improve themselves or enhance their work.

Computers and other technological devices perhaps distinguish the old from the younger generation of musicians and that impression is what I had at the back of my mind when I attended the maiden press conference of the Interim Board of the Ghana Music Rights Organisation (GHAMRO) last Thursday.

The organisation is known for its large number of elderly musicians.

But I was surprised to observe that GHAMRO was very much in touch with social media platforms and operations in the day-to-day running of the organisation.

Social media platforms like Facebook, Twitter, Google Plus, Linkedin and YouTube have been created for questions and suggestions and interactions, Enock Agyepong, a member of the board told the meeting.

Friday, July 11, 2014 will still remain a day that most musicians especially Nana Kwame Ampadu, and 99 other musicians in Ghana would not forget.

On that fateful day, an order of the Human Rights Division of the High Court presided over by His Lordship Kofi Essel-Mensah J. ruled that, the then executive of GHAMRO led by Carlos Sakyi, should step aside for a new five-member interim board to take over the affairs of the organisation.

The new five-member Interim Board members appointed comprised Nana Aboagye Da-Costa, a musician and traditional ruler and Chairman of the Interim Board, Kwame Nsiah Apau popularly known as Okyeame Kwame, as the PRO and Enock Agyepong, music publisher.

The other two are Dorothy Habadah, a State Attorney and representative of the Copyright Office and Kow Sessah Acquaye, a State Attorney and representative of Attorney General.

Their mandate, according to the ruling, was to take charge of the body’s affairs for the next six months before fresh elections are held.

Even though the High Court has kicked out Carlos Sakyi and his cohorts from the GHAMRO office, it appeared that the problems and divisions that bedevilled the old GHAMRO persists.

Before I proceed, let me quote what a music rights owner who pleaded anonymity told me after the rather chaotic press conference. He said, “Ignorance among many musicians is turning into arrogance that is now attaining stupidity levels. In fact, if this orchestrated insanity is not stopped, no organisation will take us serious.

“There is nothing wrong in disagreeing with each other but Ghana is polarised to the extent that it’s extremely difficult for people to make meaningful arguments without unnecessary digression or make sense without showing their divisive nature. Ghana is divided to the extent that almost everything is politicised.

“Apportioning of blame is the order of the day. Everything is about the two political opponents; nothing good comes out from them so far as the other party is concerned. This level of politicisation has well-eaten into every fibre of our society.”

The above summed up exactly what happened during the GHAMRO’s press conference. Instead of the occasion being used to celebrate the historic moment, it turned out to create tension and chaos rather than the purpose for which it was organised.

At the event, a great chunk of the country’s older musicians showed their disregard for the rule of law when they openly lambasted a court ruling, created chaos and nuisance.

It was just shameful to see musicians who should know better exchange unprintable words and point fingers at the people the court had put in place to steer the affairs in their interest.

Had it not been the kind nature of the Interim Board members, who kept their calm in the face of attacks and insults, perhaps what would have happened would have been very shameful and an indictment the music industry.

Until last Thursday’s chaotic press conference, the five-member had been working to ensure that they met their deadlines and also follow the directives of the court ruling.

When the invitation was sent out to invite people to the press conference, the impression was created that, it was going to be an Interim Board and media interaction but it turned out that, the invitation had also been extended to musicians, some of whom were not in support of the court ruling.

According to Ekow Micah, Akosua Agyapong and other musicians who were obviously not in support of the situation, the Interim Board did not have the right to do the work reserved for a substantive Board.

They argued that, since it was the first time the Interim Board were meeting the press, they thought the concentration should have been on when and how fresh elections would be held. According to them, any other agendas apart from the one concerning elections were a waste of time.

One may ask: couldn’t they have waited for a perfect time and a much better platform to voice out their grievances and launch their attacks? What happened was shameful.

Like Bob Marley said, “I don't stand for black man's side, I don't stand for white man's side, I stand for God's side.”

Like myself, I’m not on anyone’s side, I’m on the side that will see that things are running smoothly and transparent for all the musicians.

BIG BROTHER AFRICA 9 POSTPONED DUE TO FIRE OUTBREAK

Big Brother Africa Season 9, intended to be launched on Sunday, September 7 has been postponed indefinitely due to a fire incident at the BBA House in Johannesburg, South Africa.

Read Press Release from M-Net:

"M-Net and Endemol SA advise that due to a devastating fire at the Big Brother house on September 2, 2014, 'Big Brother Hotshots' will not be launched this Sunday, September 7 as scheduled.

The cause of the fire at this stage is unknown, and investigations will commence as soon as it is safe to do so.

At this stage M-Net and Endemol are urgently looking for an alternative Big Brother house in which to film the production, however as this production has highly technical infrastructure, camera and edit requirements an alternative is not immediately available.

Every effort will be made to find a solution as quickly as possible to ensure that Africa’s biggest reality show will continue.”

WINNERS FROM THE 2014 NIGERIA ENTERTAINMENT AWARDS IN NEW YORK

For the 9th year the Nigeria Entertainment Awards (NEA) celebrated and honoured members of the Nigeria entertainment industry at the NYU Skirball Center for Performing Arts in New York.

The award show was filled with lots of amazing performances – Wande Coal, Praiz, Oritsefemi, the ‘Sekem’ master MC Galaxy. Also on stage were Patoranking who performed his popular song “Girlie O”, Skales with his new single “Shake Body”.

Hosts for the night Bovi and Funke Akindele kept the audience entertained with rib-cracking jokes, while Gbemi Olateru-Olagbegi worked the audience by interacting and asking audience members questions to keep them engaged and even more involved in the show than in years past.

Red carpet coverage was powered by both US and Nigeria/Africa based media houses – Channel O, Sound City, BellaNaija, OkayAfrica, Inside Africa, Bubbles Magazine, Black Enterprise, Luxxe Living and UDRradio just to mention a few.

The hottest single of the year category had a tie with Pull Over Kcee ft. Wizkid and Aye by Davido both emerging winners. Some of the other winners of the night include Olamide for Album of the Year, DJ Spinall for World DJ, Desmond Elliot for Best Director, and Mavin’s First Lady Tiwa Savage took home R&B Artiste of the Year and Female Artist of the year awards.

In her acceptance speech Tiwa Savage encouraged fans and the entire industry to continue to support the NEAs, mentioning that International awards such as BET and MTV started off similar to the NEAs, and have been able to grow thanks to the support received.

WINNERS

MUSIC

Best Album of the Year: Baddest Boy Ever Liveth – Olamide

Hottest Single of the Year: Pull-Over -Kcee ft. Wizkid; Aye – Davido

Best New Act of the Year: Patoranking

Gospel Artist of the Year: Frank Edwards

Indigenous Artist of the Year: Oritsefemi Oritsefemi

Best Pop/R&B Artist of the Year: Tiwa Savage

Female Artist of the Year: Tiwa Savage

Male Artist of the Year: Davido

Best Rap Act of the Year: Ice Prince

Music Producer of the Year: Del B

Best Music Video of the Year (Artist & Director): Rands & Naira (Emmy Gee & Nick) Best Collaboration: Gallardo – Runtown Ft. Davido

Most Promising Act to Watch: Ayo Jay

Diaspora Artist of the Year: L.A.X

African Artist of the Year (Non-Nigerian): Shatta Wale

FILM

Best Actor in a Lead Role: Tope Tedela (A Mile from Home)

Best Supporting Actor: Yomi Fash-Lanso (Omo Elemosho)

Best Actress in a Lead Role: Funke Akindele in Agnetta (O’Mpa)

Best Supporting Actress: Genevieve Nnaji (Half of a Yellow Sun)

Best Director: Desmond Elliott (Finding Mercy)

Best Picture: Half of a Yellow Sun

OTHER CATEGORIES

Entertainment Personality of the Year: Denrele Edun – Channel O

Entertainment Executive of the Year: E-Money – Five Star Records

Best OAP: Yaw – Wazobia FM

Funniest Comedian of Year: Bovi

World DJ: DJ Spinall – Nigeria